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‘How to become a rock star? Plug in and wait for inspiration. That seems to have been the secret to Andy Summers
success in the music business, or so it would seem based on his autobiography.
In the age of "pop idol", when the order
of the day is to commodify yourself to success, this book will hopefully be a welcome counterbalance. Full of anecdotes of
near misses and false starts, the book's overarching theme is of a man blown by some supernatural wind along a road not of
his choosing but of his calling: music, for better or worse, his mistress, his seducer, his lifeline.
And with every
blind alley, every setback, there comes the increasing sense that the journey is the most important thing.
Starting,
as the story does, with his first experiments with skiffle, taking us through his involvement in the U.K. blues explosion,
and on into the high Sixties of the Beatles and the Stones, no other apprenticeship could possibly have prepared Andy for
the world-dominating success of the Police, just one of the bands that can claim him as a member, but the one that will surely
be remembered by history.
It was during his time with the Police that I first met Andy. As a member of U2, then a junior
band about to open for them at their 1982 Gateshead stadium gig, I was somewhat intimidated by the sight of the three blond
icons as they came bounding into the lobby of the hotel where we had all gathered to await transport to the stadium. There
was between Andy and his bandmates, Sting and Stewart Copeland, this unmistakable sense of chemistry. They were not just a
great band, they were a real band.
We had in fact opened for the Police once before, across the Irish Sea in our homeland
at the first ever outdoor concert at Slane Castle, but in 1981 such was the gulf between us that we never actually met.
Time
passed, and in 1986 by some twist of fate U2 ended up playing at an Amnesty International "Conspiracy of Hope" concert at
New Jersey's Giants Stadium with the Police after they had decided to call it a day. It was a major occasion for many different
reasons. I certainly will never forget the moment when Andy handed me his guitar in front of the 65,000 capacity crowd at
the end of the Police's final set, for U2 to play out the last song of the event. There was more than a little symbolism in
that handing over of instruments.
That Andy absorbed the success of the Police, as he did all the other ups and downs
he experienced along the road, without losing a sense of himself, his passion for, and his belief in, the sacred and life
changing qualities of music is a testimony to he purity of his motivation as a musician, songwriter and artist. May we be
lucky enough to see his likes again.’
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